Why this blog is called "Gallimaufry".

gal-uh-MAW-free\, noun.

Originally meaning "a hash of various kinds of meats," "gallimaufry" comes from French galimafrée; in Old French, from the word galer, "to rejoice, to make merry"; in old English: gala + mafrer: "to eat much," and from Medieval Dutch maffelen: "to open one's mouth wide."

It's also a dish made by hashing up odds and ends of food; a heterogeneous mixture; a hodge-podge; a ragout; a confused jumble; a ridiculous medley; a promiscuous (!) assemblage of persons.

Those of you who know me, will, I’m sure, understand how well some of these phrases (barring the "promiscuous" bit!) fit me.

More importantly, this blog is an ode to my love for Shimla. I hope to show you this little town through my eyes. If you don't see too many people in it, forgive me, because I'm a little chary of turning this into a human zoo.

Stop by for a spell, look at my pictures, ask me questions about Shimla, if you wish. I shall try and answer them as best as I can. Let's be friends for a while....

Showing posts with label Guest post. Show all posts
Showing posts with label Guest post. Show all posts

3 October 2010

The Shimla Class



Next in the series of guest posts on Shimla Gallimaufry is one by Varsha. 

Varsha writes a superb, deeply knowledgeable and really useful blog titled Wholesome Options. From Varsha, I have learnt to look at wellness as a way of life, learnt that healthy habits and fitness can be incorporated in daily life without any sacrifice or extra effort. Aside of being a full-time mother and wife, a wellness guru and a fitness maniac, Varsha also takes a wonderful Poetic Break from her bureaucratic life every now and then. She speaks here of lessons learnt from our common love, Shimla: 



The Shimla Class


Hills have a way of teaching you to slow down.
Of drawing you in the web of alluring sunsets, sun-dappled valleys and mist draped mountains. Of using that oldest means of transportation – your legs. And escaping at least partly from the whizzing world of honking cars and seething road-rage.
When I recall my Shimla days my best memories are about nature.
I was living with a bunch of strong-willed and rambunctious colleagues in extremely cramped quarters. Tempers frequently got frayed and patience wore thin. Walks were a way of escape-getting away from it all- initially. They became a balm and an addiction soon. A way of tucking in the splendid perfection of the Himalayas in different seasons and moods.
What did I learn in the Shimla Class (presided over by the old man Himalayas)?

Putting things in perspective.
I was incredibly lucky to be able to see the glorious Himalayas from my window on waking up each morning,
They always overwhelmed me. They gently reminded me everyday that I was not that important, my petty problems were not that important, nor were the shiny trophies of the rat race that important. The mountains would stand there even if the damned deadline was not met or if I did not ace some silly test.

The art of Appreciating beauty.
In Shimla, it was so easy to meet the perfect creamy rose-bud or a round, plump wild strawberry, a  sudden stream bubbling after the rains, an old friendly tree, clad  one fine day in magnificent bloom, a spectacular evening live show of the thrust and parry of the dying sunset and the ascending night. One had to stand and savour it reverentially. I learnt that when you see perfection – you must acknowledge it.
When we move in the bubbles of our own self-importance and obsessions, we become far too busy and blind to beauty around us. We must open our eyes, see it and savour it.

The art of inner Quiet.
Shimla also taught me to have a holy communion with nature. To get away from the noise around me I needed an inner quiet. I learnt being quiet with myself, by myself, for myself.

The art of appreciating History around you.
Any walk around Shimla is full of heritage and History. One keeps coming across rambling cottages with quaint names and distinguished ex-residents. There are majestic buildings scattered over the place. Steeped with tales of a faded era and set against the backdrop of the timeless Himalayas these gems of a bygone age taught me to appreciate History as well as the blip that my small lifetime is in it all.




10 September 2010

Poetry is a matter of life, not just a matter of language.

"An empty mind is the devil's workshop", I have been repeatedly told since I was a child. Yet, it was on one of those very empty evenings that it struck me that I could invite a friend, or maybe even three friends to write a guest post. The one thing that I love about my friends, whom you shall meet by and by, gentle reader, is that they are always game for an adventure. This is Part 1 of that enterprise.
I've known Asha for longer than I care to remember. She breezed into my life and stayed back as my rock, my sounding board, and the shoulder on which I would cry on countless times.
Asha is an expert trainer and has worked with some of the world's biggest corporations. Deeply interested in issues relating to the development of self, she writes a wonderfully thought-provoking blog called Self Leadership. In her blog, she manages to raise issues that we all need to ponder on, but about which we rarely stop to think systematically.
However, here on my blog, she writes not on leadership or decisions or self-awareness, but moves to our common love, poetry. Her thoughts are placed below:





Let me start off by saying that poetry is not one of my current ‘can-dos’. Would I like to compose poetry? Yes! Have I attempted it? No! Having said that, I love reading poetry and one volume that I’ve perused a few times ia ‘Ariake’ – a collection of poems of love and longing by the women courtiers of Japan.


The foreword by Lisa Dalby summarises ‘Ariake’ as follows: “Ariake or ‘the waning moon at dawn’ was an image associated foremost with love in the ancient courts of Japan. Few societies integrated poetry into daily life as devotedly as the court of Japan’s Heian era (A.D. 794 – 1192). The most renowned poets of this era were women. They were passionate and demonstrative – a far cry from the typical portraits of passive objects of desire drawn by Westerners.”


A few samples from this rather fascinating collection!
Were you a string of beads
I would wind you about my arm,
But since you are a man
Of the actual, mortal world,
You are hard in the winding.
~ The Elder Maiden of the Otomo of Sakanoue ~
Look at this keepsake
And remember me, my love;
All the gem-bright year,
Long as its thread of shining days,
I too shall think of you.
~ Lady Kasa ~
As night succeeds night,
I seek in vain to decide
Where my pillow should go.
How did I sleep on the night
When you appeared in my dream?

~ Anonymous ~






My favourite Indian poet is Sahir Ludhianvi. A deeply passionate man, he lived and died a tortured soul. A genius with words, he demonstrated how a lot could be said with very few words. There are so many of his poems I love, and here is one of them.
Maine jo geet tere pyar ki khatir likhe
Aaj un geeton ko bazaar mein le aaya hoon
Aaj dukan mein neelam uthega unka
Tu ne jin geeton pe rakhi thi mohabbat ki asaas
Aaj chandi ki taraazu mein tulegi har cheez
Mere afkaar, meri shaayari, mera ehsaas
Jo teri zaatse mansoob the un geeton ko
Muflisi jins banaane pe uthar aayi hai
Bhookh, tere rookh-e-rangeen ke fasaano ke ivaz
Chand ashiya-e-zaroorat ki tamannai hai
Dekh is arsaagahe-mehnaton-sarmaaya mein
Mere naghme bhi mere paas nahin reh sakte
Tere jalve kisi zardaar ki meeras sahi
Tere khaake bhi mer paas nahin reh sakte
Aaj un geeton ko bazaar mein le aaya hoon
Maine jo geet tere pyar ki khatir likhe




Last but not the least is a piece from Harold Monro on ‘Solitude’. I know Geetali has done a post on ‘Solitude’ earlier. I picked this out of An Anthology of Modern Verse that was gifted by my friend Irene Hawkins. If you ever come across this post my friend, know that you are in my mind and that I miss you.
When you have tidied all things for the night,
And while your thoughts are fading to their sleep,
You’ll pause a moment in the late firelight,
Too sorrowful to weep.
The large and gentle furniture has stood
In sympathetic silence all the day
With that old kindness of domestic wood;
Nevertheless the haunted room will say:
“Some one must be away”.
The little dog rolls over half awake,
Stretches his paws, yawns, looking up at you,
Wags his tail very slightly for your sake,
That you may feel he is unhappy too.
A distant engine whistles, or the floor
Creaks, or the wandering night-wind bangs a door;
Silence is scattered like a broken glass.
The minutes prick their ears and run about,
Then one by one subside again and pass
Sedately in, monotonously out.
You bend your head and wipe away a tear.
Solitude walks one heavy step more near.


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