Why this blog is called "Gallimaufry".

gal-uh-MAW-free\, noun.

Originally meaning "a hash of various kinds of meats," "gallimaufry" comes from French galimafrée; in Old French, from the word galer, "to rejoice, to make merry"; in old English: gala + mafrer: "to eat much," and from Medieval Dutch maffelen: "to open one's mouth wide."

It's also a dish made by hashing up odds and ends of food; a heterogeneous mixture; a hodge-podge; a ragout; a confused jumble; a ridiculous medley; a promiscuous (!) assemblage of persons.

Those of you who know me, will, I’m sure, understand how well some of these phrases (barring the "promiscuous" bit!) fit me.

More importantly, this blog is an ode to my love for Shimla. I hope to show you this little town through my eyes. If you don't see too many people in it, forgive me, because I'm a little chary of turning this into a human zoo.

Stop by for a spell, look at my pictures, ask me questions about Shimla, if you wish. I shall try and answer them as best as I can. Let's be friends for a while....

Showing posts with label Himachal's musical instruments. Show all posts
Showing posts with label Himachal's musical instruments. Show all posts

16 February 2010

Oh, the brave Music of a distant Drum!


The concept of drums is as old as mankind. A drum also called a membranophone, is an instrument that creates sound when a person strikes a stretched membrane with their hands or some type of object, usually a rounded stick.
Drums consist of a hollowed-out piece (the body), a membrane stretched over the end of the drum, and occasionally (but not necessarily) tuning keys or pegs which tighten or loosen the membrane to achieve different tones. It is this membrane and its vibration which reates the sound when struck.
Drums first appeared as far back as 6000 BC. Mesopotamian excavations unearthed small cylindrical drums dated 3000 BC. Several wall markings found in caves in Peru show drums used in various aspects of societal life. The American Indians used gourd and wooden constructed drums for their rituals and ceremonies. Drums have always been used for more than merely creating music.
In India, percussion instruments too have a long history. We have both the two-faced drums such as the dhol, the dholak, the pakhawaj or the mirdangam as well as the single-faced ones like the tabla or the drums in the pictures which accompany this post.
I found these drums in temples in different places - in Mahu Nag, in Janog, in Cheekad, in Mamleshwar. The texture of the skin contrasted enchantingly with the colours of the temples walls in the background: ochre, cinnamon and sienna standing in stark contrast to the turquoise that is so favoured for temple colouring all over Himachal!



And as I end this post, I'm reminded of that great poet Jon Bon Jovi's lines!!

Bang a drum for the sinners
Bang a drum for the sins
Bang a drum for the losers
Bang a drum for those who win
Bang a dum bang it loudly
Or as soft as you need
Bang a drum for yourself
And a drum for me.

28 September 2009

Of empty heaven and its hymns






I'm a teetotaller. But the closest I can come to explaining intoxication is when I listen to music. Urdu has such a beautiful word for it: خمار or खुमार. It is sometimes an intensified feeling of nonchalance. Sometimes, it is a clarion call, bluntly thundering. Other times, a beautiful opiate. Letting me lull myself into denial. Sometimes, it creates just the right atmosphere for thoughts. It chastens and subdues. It dissolves the straight and narrow. It perplexes and untangles. It confirms loneliness and then offers solace and companionship. It is my rampart, and my fort. No matter how out of tune my soul may be, it never jars. Sometimes, it feels sacred, and imparts a dignity and has inspiring aftermaths. Other times, it is secular and then brings in its wake an eartly cheer. But in any case, all good music resembles something! It stirs me by its resemblance to some object or feeling that may have caused it to be born.








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