Why this blog is called "Gallimaufry".

gal-uh-MAW-free\, noun.

Originally meaning "a hash of various kinds of meats," "gallimaufry" comes from French galimafrée; in Old French, from the word galer, "to rejoice, to make merry"; in old English: gala + mafrer: "to eat much," and from Medieval Dutch maffelen: "to open one's mouth wide."

It's also a dish made by hashing up odds and ends of food; a heterogeneous mixture; a hodge-podge; a ragout; a confused jumble; a ridiculous medley; a promiscuous (!) assemblage of persons.

Those of you who know me, will, I’m sure, understand how well some of these phrases (barring the "promiscuous" bit!) fit me.

More importantly, this blog is an ode to my love for Shimla. I hope to show you this little town through my eyes. If you don't see too many people in it, forgive me, because I'm a little chary of turning this into a human zoo.

Stop by for a spell, look at my pictures, ask me questions about Shimla, if you wish. I shall try and answer them as best as I can. Let's be friends for a while....

21 November 2009

Impossible stone... crumpled water...





'Whenever I plunge my arm, like this,

In a basin of water, I never miss
The sweet sharp sense of a fugitive day
Fetched back from its thickening shroud of gray.
Hence the only prime
And real love-rhyme
That I know by heart,
And that leaves no smart,
Is the purl of a little valley fall
About three spans wide and two spans tall
Over a table of solid rock,
And into a scoop of the self-same block;
The purl of a runlet that never ceases
In stir of kingdoms, in wars, in peaces;
With a hollow boiling voice it speaks
And has spoken since hills were turfless peaks.'

'And why gives this the only prime
Idea to you of a real love-rhyme?
And why does plunging your arm in a bowl
Full of spring water, bring throbs to your soul?'

'Well, under the fall, in a crease of the stone,
Though precisely where none ever has known,
Jammed darkly, nothing to show how prized,
And by now with its smoothness opalized,
Is a grinking glass:
For, down that pass
My lover and I
Walked under a sky
Of blue with a leaf-wove awning of green,
In the burn of August, to paint the scene,
And we placed our basket of fruit and wine
By the runlet's rim, where we sat to dine;
And when we had drunk from the glass together,
Arched by the oak-copse from the weather,
I held the vessel to rinse in the fall,
Where it slipped, and it sank, and was past recall,
Though we stooped and plumbed the little abyss
With long bared arms. There the glass still is.
And, as said, if I thrust my arm below
Cold water in a basin or bowl, a throe
From the past awakens a sense of that time,
And the glass we used, and the cascade's rhyme.
The basin seems the pool, and its edge
The hard smooth face of the brook-side ledge,
And the leafy pattern of china-ware
The hanging plants that were bathing there.

'By night, by day, when it shines or lours,
There lies intact that chalice of ours,
And its presence adds to the rhyme of love
Persistently sung by the fall above.
No lip has touched it since his and mine
In turns therefrom sipped lovers' wine.'
~ Thomas Hardy ~





3 comments:

Ann said...

Lovely shots. Water movement is something I experiment with when I can. Are the motion ones tripod or hand held? sorry I haven't been commenting (net usage monitored at work and forums are completely blocked) but I look in when I can.

Gallimaufry said...

Hello Ann, long time, no see (?) :) The motion shots are all hand-held. It struck me only later that I could have used the tripod :P
Thank you for your kind words. G.

Autar mota said...

Great shots . Creative work .pl keep posting such photographs

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